Black Is King is a timely affirmation for the global African diaspora, but it can’t be accepted as a universal representation of global Blackness. Its biggest problem is not visible within its frames, but has an intangible, hovering presence. Beyoncé’s promise to ‘present elements of Black history and African tradition, with a modern twist and a universal message’ is compromised by the project’s very foundation: The Lion King ontology, which is the ongoing belief that Disney’s fictional imaginary is an adequate basis to appraise the varieties of contemporary global Blackness. Image: ©Travis Matthews/Disney/Parkwood Ent.