In Frankfurt, Gqunta summons her ancestors via her dreams to reassociate herself with her alienated and alienating inheritance. She reclaims severed connections between herself, the land and that which grows on it, as well as the physical, mental and emotional implications of that process. In her hands, the ugliness of South Africa’s famous landscape is revealed. After all, how beautiful can a garden really be when it’s on stolen land? Image: Lungiswa Gqunta, 'Tending to the Harvest of Dreams', 2021, installation view, ZOLLAMT MMK, Frankfurt. Courtesy: the artist and MMK, Frankfurt; photograph: Diana Pfammatter